翻訳と辞書
Words near each other
・ Bijukuttan
・ Bijuli
・ Bijulikot
・ Bijur
・ Bijuri
・ Bijuri Kota
・ Bijutsu Kenkyū
・ Bijutsu-shi
・ Bijutsukantoshokanmae Station
・ Bijuwa
・ Bijuwar
・ Bijvard
・ Bijelo Brdo, Croatia
・ Bijelo Brdo, Derventa
・ Bijelo Dugme
Bijelo Dugme (album)
・ Bijelo Dugme discography
・ Bijelo Lake, Treskavica
・ Bijelo Polje
・ Bijelo Polje (Kakanj)
・ Bijelo Polje Municipality
・ Bijendra Rai
・ Bijendra Singh
・ Bijepur
・ Bijepur (Odisha Vidhan Sabha constituency)
・ Bijeqin
・ Bijerk
・ Bijerlu
・ Bijeypur
・ Bijgerd


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Bijelo Dugme (album) : ウィキペディア英語版
Bijelo Dugme (album)

''Bijelo Dugme'' is the seventh studio album by Yugoslav rock band Bijelo Dugme. Due to Bijelo Dugme's usage of Uroš Predić's famous painting ''Kosovo Maiden'' for the album cover, the album is unofficially known as ''Kosovka djevojka'' (trans. ''Kosovo Maiden'').
''Bijelo Dugme'' is the band's only album recorded with vocalist Mladen Vojičić "Tifa", who came to the band as the replacement for Željko Bebek. The album is also notable for featuring the band's former member Laza Ristovski, who, after the album was released, became an official member of the band once again.
''Bijelo Dugme'' was polled in 1998 as the 28th on the list of 100 greatest Yugoslav rock and pop albums in the book ''YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best Albums of Yugoslav Pop and Rock Music'').
==Background and recording==

Vocalist Željko Bebek left Bijelo Dugme in April 1984, deciding to dedicate himself to his solo career, and the band's new vocalist became a former Top and Teška Industrija member Mladen Vojičić Tifa. The band spent the summer of 1984 in Rovinj, where they held small performances in Monvi tourist centre, preparing for the upcoming album recording.
The album was recorded in Sarajevo, Skopje, Zagreb and Belgrade.〔(''Bijelo Dugme'' at Disogs )〕 The working title of the album, ''Još uvek nas ima'' (''We're Still Here''), was discarded after it was decided that Uroš Predić's painting would appear on the cover. ''Bijelo Dugme'' featured Radio Television of Skopje Folk Instruments Orchestra, folk group Ladarice on backing vocals, Pece Atanasovski on gaida and Sonja Beran-Leskovšek on harp.〔 The song "Pediculis pubis" (misspelling of "Pediculosis pubis") featured Bora Đorđević, the leader of Bijelo Dugme's main competitors at the time, Riblja Čorba, on vocals.〔 Đorđević co-wrote the song with Bijelo Dugme leader Goran Bregović, and sung it with Bregović and Vojičić. (Bregović would, in return, make a guest appearance on Riblja Čorba 1985 album ''Istina'', singing with Đorđević in the song "Disko mišić".〔(''Istina'' at Discogs )〕) Đorđević had an idea of political song, with lyrics mentioning names and nicknames of Yugoslav politicians, but Bregović persuaded him that the song should feature joking lyrics about pubic lice.〔 The final mix of the album was done by German producer Theo Werdin, who initially came to Sarajevo to produce Divlje Jagode's album ''Vatra'', but whom Diskoton, after his arrival, hired to work on ''Bijelo Dugme''.
The album featured a version of Yugoslav national anthem, "Hej, Slaveni", as the opening track.〔 The song "Lipe cvatu, sve je isto k'o i lani" ("Linden Trees Are in Bloom, Everything's just like It Used to Be") is musically based on the song "Šta ću nano dragi mi je ljut" ("What Can I Do, Mom, My Darling Is Angry"), written by Bregović and originally recorded by Bisera Veletanlić.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Bijelo Dugme (album)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.